”There is a stream of exhibition and biennial projects addressing art in an age of the Anthropocene or emphasising art dealing with post-anthropocentric understandings of the world. These discourses seem to be something that every credible art institution must foster to stay relevant. This development is, of course, part of the political debate that attempts to move the current emphasis towards urgencies and threats that the middle class around the westernised world feel most dire. So, the question arises: what is the role of art institutions, curatorial praxis, and exhibition-making in this situation?”
Furthermore, even though tattoos are an inherently difficult medium to preserve and display without the participation of tattooed individuals themselves, the exhibition used several effectively clever ways to depict them in addition to the two displays shown above. Ceiling projections allowed people to see what tattoos might look like on different parts of their bodies. Another display paired original stencils with photographs of the final tattoos as they appeared on customers.
Film screenings of the National Audiovisual Institute (KAVI) came to a closure at the end of last year at Eerikinkatu’s art deco cinema Orion in Helsinki. The long goodbye took the whole autumn. Maybe the most special event was the Grande finale, the screening of four Italian films that took all night in mid-December.
The pencil descends onto the paper and begins its path. It glides along vast curves, turns around unexpectedly, moves intensely back and forth, and all
The Oakland Museum of California (OMCA) is currently hosting the last stop of the major retrospective exhibition “The World of Charles and Ray Eames.” The
On October 24th, 2018, I had the pleasure of experiencing the premiere of Ejaculation: Discussions About Female Sexuality at the Finnish National Theatre’s Willensauna. The
Norman Orro (b. 1986) is an Estonian artist and a graphic designer who also teaches graphic design at the Estonian Academy of Arts. On 26th
In this piece, Nikolai Sadik-Ogli outlines certain highlights from the cultural history of Florida as context for a deeper introduction to Lake Worth.
The exhibition also includes a few of Evans’ paintings, which are similarly flat and two-dimensional like his photographs in such an extreme way that even the tour guide wryly stated that they would not warrant an exhibition of their own.
Like many baby-boomers, Donald Trump turned twenty-one years old while attending college in 1967, the year of the Summer of Love.